1.0Freddy Morezonhttps://freddymorezon.org/enrich600338<blockquote class="wp-embedded-content" data-secret="tkRIIv9roL"><a href="https://freddymorezon.org/en/2026/04/08/presse-bedmakers-pointbreak-2025/">Presse Bedmakers Pointbreak 2025</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://freddymorezon.org/en/2026/04/08/presse-bedmakers-pointbreak-2025/embed/#?secret=tkRIIv9roL" width="600" height="338" title="“Presse Bedmakers Pointbreak 2025” — Freddy Morezon" data-secret="tkRIIv9roL" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> POINTBREAK Together, the Bedmakers make their free-folk-jazz dance on quicksands and stretch their folklore to its limits. They let the themes and melodies emerge when the quartet demands it. They take care of the popular and the elegant, revealing little epiphanies of quarter tones, exciting sound shifts, ancient clarity, and new skin, too. Guillaume Malvoisin,…Continue reading →https://freddymorezon.org/wp-content/uploads/2016/02/mini-logo-header-site2.jpg234174