{"version":"1.0","provider_name":"Freddy Morezon","provider_url":"https:\/\/freddymorezon.org\/en","title":"Deep Ford - Jazz Magazine | Freddy Morezon","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qlgZdM8QCP\"><a href=\"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/\">Deep Ford &#8211; Jazz Magazine<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/embed\/#?secret=qlgZdM8QCP\" width=\"600\" height=\"338\" title=\"&#8220;Deep Ford &#8211; Jazz Magazine&#8221; &#8212; Freddy Morezon\" data-secret=\"qlgZdM8QCP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l&#8217;auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz&hellip;Continue reading &rarr;","thumbnail_url":"https:\/\/freddymorezon.org\/wp-content\/uploads\/2016\/02\/mini-logo-header-site2.jpg","thumbnail_width":234,"thumbnail_height":174}