{"id":142,"date":"2016-02-04T16:41:27","date_gmt":"2016-02-04T15:41:27","guid":{"rendered":"https:\/\/freddymorezon.org\/?page_id=142"},"modified":"2024-09-23T15:18:09","modified_gmt":"2024-09-23T14:18:09","slug":"iana","status":"publish","type":"page","link":"https:\/\/freddymorezon.org\/en\/catalogue\/iana\/","title":{"rendered":"Iana"},"content":{"rendered":"<div id=\"pl-142\"  class=\"panel-layout\" ><div id=\"pg-142-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-142-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-142-0-0-0\" class=\"so-panel widget widget_eo_event_list_widget EO_Event_List_Widget panel-first-child\" data-index=\"0\" >\n\n<\/div><div id=\"panel-142-0-0-1\" class=\"so-panel widget widget_sow-editor\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center;\"><a href=\"https:\/\/freddymorezon.org\/projets\/iana\/agenda-iana\/\"><i class=\"fa fa-chevron-right fa-2x\"><\/i> View all tour dates<\/a><\/p>\n<p> \u200e<\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-2\" class=\"so-panel widget widget_sow-editor\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>listen<\/h3>\n<div class=\"sidebar-player\">\n<iframe style=\"border: 0; width: 100%; height: 200px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1863684964\/size=large\/bgcol=ffffff\/linkcol=de270f\/artwork=none\/transparent=true\/\" seamless><a href=\"http:\/\/mrmorezon.bandcamp.com\/album\/dune-extr-me-lautre\">D&#39;une Extr\u00eame \u00e0 l&#39;autre by Iana<\/a><\/iframe><\/div>\n<p><a href=\"https:\/\/b-concerts.fr\/concerts\/collection\/concert\/?id=8256\" rel=\"noopener noreferrer\" target=\"_blank\">Enregistrement du concert au Petit Faucheux \/ mars 2019<\/a><\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-3\" class=\"so-panel widget widget_sow-editor\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>Discography<\/h3>\n<div class=\"pt-cv-wrapper\">\n<div class=\"pt-cv-view pt-cv-scrollable pt-cv-colsys pt-cv-sharp-buttons\" id=\"pt-cv-view-1061f88faj\">\n<div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"1\">\n<div id=\"5ecb27cwd5\" class=\"pt-cv-carousel pt-cv-slide\" data-ride=\"cvcarousel\" data-interval=false>\n<div class=\"carousel-inner\">\n<div class=\"item active\">\n<div class=\"row\">\n<div class=\"col-md-12 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"7881\"><a href=\"\" class=\"pt-cv-none pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"pt-cv-none\" ><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/freddymorezon.org\/wp-content\/uploads\/2018\/07\/2018_iana_pochette_confliktarts_v1-visuel-150x150.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"D&#039;une Extr\u00eame \u00e0 l&#039;autre\" srcset=\"https:\/\/freddymorezon.org\/wp-content\/uploads\/2018\/07\/2018_iana_pochette_confliktarts_v1-visuel-150x150.jpg 150w, https:\/\/freddymorezon.org\/wp-content\/uploads\/2018\/07\/2018_iana_pochette_confliktarts_v1-visuel-400x400.jpg 400w, https:\/\/freddymorezon.org\/wp-content\/uploads\/2018\/07\/2018_iana_pochette_confliktarts_v1-visuel-100x100.jpg 100w, https:\/\/freddymorezon.org\/wp-content\/uploads\/2018\/07\/2018_iana_pochette_confliktarts_v1-visuel-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" data-no-lazy=\"1\" \/><\/a><\/p>\n<div class=\"pt-cv-carousel-caption pt-cv-cap-w-img\">\n<h4 class=\"pt-cv-title\"><a href=\"\" class=\"pt-cv-none cvplbd\" target=\"pt-cv-none\" >D&#8217;une Extr\u00eame \u00e0 l&#8217;autre<\/a><\/h4>\n<div class=\"pt-cv-content\">\n<p class=\"disco\">november 2018<br \/>\nMr Morezon 019<br \/>\n<a href=\"https:\/\/freddymorezon.org\/label\/dune-extreme-a-lautre-live-at-donaueschingen\/\" alt=\"album d'Une Extr\u00eame \u00e0 l'autre - Iana - label Mr Morezon\" title=\"album d'Une Extr\u00eame \u00e0 l'autre - Iana - label Mr Morezon\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"fa fa-chevron-right\"><\/i>&nbsp;more infos<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<style type=\"text\/css\" id=\"pt-cv-inline-style-dada566raf\">#pt-cv-view-1061f88faj  .pt-cv-carousel-caption   { background-color: #ffffff !important; }\n#pt-cv-view-1061f88faj.pt-cv-post-border .pt-cv-content-item   { border-top-style: solid; border-left-style: solid; }\n#pt-cv-view-1061f88faj .pt-cv-title a, #pt-cv-view-1061f88faj  .panel-title { color: #000000 !important; }\n#pt-cv-view-1061f88faj  .pt-cv-title a:hover, #pt-cv-view-1061f88faj  .panel-title:hover   { color: #000000 !important; }\n#pt-cv-view-1061f88faj .pt-cv-content , #pt-cv-view-1061f88faj  .pt-cv-content *:not(.pt-cv-readmore):not(style):not(script) { color: #000000 !important; }\n#pt-cv-view-1061f88faj  .pt-cv-content-item:hover .pt-cv-hover-wrapper::before   { background-color: rgba(51,51,51,.6) !important; }\n#pt-cv-view-1061f88faj:not(.pt-cv-nohover) .pt-cv-mask *   { color: #fff; }\n#pt-cv-view-1061f88faj .pt-cv-carousel-caption  { background-color: rgba(255,255,255,0.6) !important; }\n#pt-cv-view-1061f88faj .pt-cv-specialp * { color: #fff !important; background-color: #CC3333 !important; }\n#pt-cv-view-1061f88faj .pt-cv-pficon  { color: #bbb !important; }\n#pt-cv-view-1061f88faj .pt-cv-custom-fields * { color: #000000 !important; }\n#pt-cv-view-1061f88faj  .add_to_cart_button, #pt-cv-view-1061f88faj  .add_to_cart_button *   { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-1061f88faj  .woocommerce-onsale   { color: #ffffff !important; background-color: #ff5a5f !important; }\n#pt-cv-view-1061f88faj .pt-cv-readmore  { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-1061f88faj .pt-cv-readmore:hover  { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-1061f88faj  + .pt-cv-pagination-wrapper .pt-cv-more , #pt-cv-view-1061f88faj  + .pt-cv-pagination-wrapper .pagination .active a { color: #ffffff !important; background-color: #00aeef !important; }\n[id^='pt-cv-filter-bar-1061f88faj'] .active.pt-cv-filter-option, [id^='pt-cv-filter-bar-1061f88faj'] .active .pt-cv-filter-option, [id^='pt-cv-filter-bar-1061f88faj'] .selected.pt-cv-filter-option, [id^='pt-cv-filter-bar-1061f88faj'] .dropdown-toggle   { color: #fff !important; background-color: #00aeef !important; }\n[id^='pt-cv-filter-bar-1061f88faj'] .pt-cv-filter-title   { color: #fff !important; background-color: #00aeef !important; }\n#pt-cv-view-1061f88faj .pt-cv-gls-header  { background-color: #00aeef !important; }<\/style>\n<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-4\" class=\"so-panel widget widget_sow-headline\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-f6f7cdd9a3c6-142\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-5\" class=\"so-panel widget widget_sow-editor\" data-index=\"5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>Press review<\/h3>\n<div class=\"pt-cv-wrapper\">\n<div class=\"pt-cv-view pt-cv-scrollable pt-cv-colsys pt-cv-left pt-cv-sharp-buttons\" id=\"pt-cv-view-7c6f252imn\">\n<div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"1\">\n<div id=\"307695cupg\" class=\"pt-cv-carousel pt-cv-slide\" data-ride=\"cvcarousel\" data-interval=false>\n<div class=\"carousel-inner\">\n<div class=\"item active\">\n<div class=\"row\">\n<div class=\"col-md-12 col-sm-12 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"7934\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\"><span class=\"dashicons dashicons-format-quote pt-cv-pficon\"><\/span><\/p>\n<div class=\"pt-cv-content\">\n<h4 style=\"text-align: right;\">Jazz Magazine<\/h4>\n<blockquote>\n<p><b>R\u00e9v\u00e9lation !<\/b><br \/>\nD\u2019un c\u00f4t\u00e9, Christine Wodrascka, improvisatrice port\u00e9e vers la composition contemporaine, de l\u2019autre Betty Hovette, interpr\u00e8te de ce dernier domaine dont elle tend \u00e0 s\u2019affranchir. De cette convergence est n\u00e9 Iana, duo de pianos, et ce disque&nbsp;: quatre quasi-miniatures improvi\u00e9es en studio et cette longue suite de 43\u201922 deux jours plus tard, aux Donauschingen Musiktage. De la fluidit\u00e9 dispendieuse ou minimale d\u2019un clavier \u00e0 l\u2019autre, aux exercices de fusion des deux en un seul g\u00e9n\u00e9rateur sonore pour la pi\u00e8ce live, se d\u00e9gage une complicit\u00e9 fascinante.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\">Franck Bergerot, Jazz Magazine, d\u00e9cembre 2018 <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"item\">\n<div class=\"row\">\n<div class=\"col-md-12 col-sm-12 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"6667\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\"><span class=\"dashicons dashicons-format-quote pt-cv-pficon\"><\/span><\/p>\n<div class=\"pt-cv-content\">\n<blockquote>\n<h4>JAZZWORD<\/h4>\n<p>Throughout the dynamic expression of passing patters and motifs from one to another that make up the sound miniatures on D\u2019une Extr\u00eame \u00e0 L\u2019autre, Wodrascka and Hovette stake out antithetical positions even when in double counterpoint. One sticks to higher notes and the other lower ones, then switch. Meantime enough space is kept between the two expositions so that they don\u2019t overlap. While timbral architecture isn\u2019t definite, most likely the playful jumps and jerks, propelled with pedal work are from Wodrascka, while the hunting-and-pecking narrative, emphasizing micro-movements relates to Hovette\u2019s processes.<\/p>\n<p>Deeper and darker in execution, the 43 minute plus title track brings in more echoes from the fallback, soundboard and tightly wound strings than the previous pseudo-\u00e9tudes. With the sometimes more individualized processes slightly more muffled the tendency towards abstraction and pure sound is intensified. Strummed chords and sympathetic vibrations poke out from the sometime kinetic program, but at the same time equal pressure towards creating sequences of impenetrable near musique concrete vies with the syncopation, Finally with jagged and tremolo repetitions seemingly bouncing off soundboard, piano timbres reach a point of affective concurrence.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\">Ken Waxman, JazzWord, f\u00e9vrier 2019<\/p>\n<p style=\"text-align: right;\"><a href=\"http:\/\/www.jazzword.com\/one-review\/?id=129819\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-chevron-right fa-2x\"><\/i> consulter la chronique sur JazzWord<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"item\">\n<div class=\"row\">\n<div class=\"col-md-12 col-sm-12 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"6599\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\"><span class=\"dashicons dashicons-format-quote pt-cv-pficon\"><\/span><\/p>\n<div class=\"pt-cv-content\">\n<blockquote>\n<h4>Revue &#038; Corrig\u00e9e<\/h4>\n<p>Certains albums sont donc plus importants que d&#8217;autres, et celui-l\u00e0 l&#8217;est incontestablement pour l&#8217;originalit\u00e9 de sa d\u00e9marche et le croisement de ses origines. Peut-\u00eatre tenons-nous enfin l&#8217;exemple d&#8217;une fusion r\u00e9elle, puisqu&#8217;issue de styles divers, aptes \u00e0 en g\u00e9n\u00e9rer un troisi\u00e8me auquel nous serions bien en peine de trouver un nom tant il se d\u00e9marque \u00e0 la fois de l&#8217;improvisation libre, du contemporain, voire d&#8217;un hypoth\u00e9tique <em>third stream<\/em>&#8230; En sommes, la sensation demeure d&#8217;avoir atteint ici cette terra incognita qui terrorise autant qu&#8217;elle les fascine les plus aventureux de nos explorateurs.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\">Jo\u00ebl Pagier, Revue &#038; Corrig\u00e9e n\u00b0118, d\u00e9cembre 2018<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"item\">\n<div class=\"row\">\n<div class=\"col-md-12 col-sm-12 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"6591\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\"><span class=\"dashicons dashicons-format-quote pt-cv-pficon\"><\/span><\/p>\n<div class=\"pt-cv-content\">\n<blockquote>\n<h4>Revue &#038; Corrig\u00e9e<\/h4>\n<p>Jouant d&#8217;une apparente h\u00e9sitation dans la virtuosit\u00e9 de leur attaque, elles cr\u00e9ent le suspense d\u00e8s les premi\u00e8res phrases, testent leur vertige et notre hantise de la chute, et telles deux s\u0153urs press\u00e9es d&#8217;enjamber un ravin, pi\u00e9tinent la maigre surface d&#8217;o\u00f9 elles s&#8217;\u00e9lanceront \u00e0 l&#8217;assaut du vide. <\/p>\n<\/blockquote>\n<blockquote>\n<p>Il nous est de nouveau impossible de distinguer entre qui des deux praticiennes d\u00e9m\u00eale l&#8217;\u00e9cheveau enroul\u00e9 autour du cadre pour en ciseler une dentelle d&#8217;acier tranchant, laquelle \u00e9veille cette r\u00e9verb\u00e9ration naturelle qui semble tourner entre les pans de bois, quelle part encore prend chacune dans cette architecture industrielle \u00e9rig\u00e9e \u00e0 force de pressions, de frappes ass\u00e9n\u00e9es et de pr\u00e9parations imm\u00e9diates qui forcent le m\u00e9tal et en arrachent les plus urgentes vibrations.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\">Jo\u00ebl Pagier, Revue &#038; Corrig\u00e9e n\u00b0118, d\u00e9cembre 2018<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"item\">\n<div class=\"row\">\n<div class=\"col-md-12 col-sm-12 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"6011\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\"><span class=\"dashicons dashicons-format-quote pt-cv-pficon\"><\/span><\/p>\n<div class=\"pt-cv-content\">\n<blockquote>\n<h4>Citizen Jazz<\/h4>\n<p>Aux deux extr\u00e9mit\u00e9s du m\u00e9tier, les compositrices deviennent tisseuses. Elles ont dans les mains la m\u00eame mati\u00e8re qu\u2019elles consolident pour conqu\u00e9rir l\u2019espace avec des techniques simples. Beaucoup d\u2019improvisation, \u00e0 partir de th\u00e8mes et de simples mots-cl\u00e9s (\u00ab Nature \u00bb, \u00ab Train \u00bb, \u00ab Oiseau \u00bb), point de d\u00e9part de rafales sonores qui passent des doigts de l\u2019une \u00e0 ceux de l\u2019autre, en s\u2019amplifiant dans l\u2019espace. Une le\u00e7on de force. <\/p>\n<\/blockquote>\n<p style=\"text-align: right;\">Anne Yven, CITIZEN JAZZ, 30 septembre 2018<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/www.citizenjazz.com\/Jazz-a-Luz-2018-Lecons-de-bas-en-haut.html\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-chevron-right fa-2x\"><\/i> Citizen Jazz &#8211; Jazz \u00e0 Luz : le\u00e7ons de bas en haut <\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"item\">\n<div class=\"row\">\n<div class=\"col-md-12 col-sm-12 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"5869\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\"><span class=\"dashicons dashicons-format-quote pt-cv-pficon\"><\/span><\/p>\n<div class=\"pt-cv-content\">\n<blockquote>\n<h4>Jazz Magazine<\/h4>\n<p>Deux pianistes face \u00e0 face. Deux chercheuses d\u2019or. C\u2019est l\u2019image qui me vient au bout de quelques minutes de concert en observant leur investissement physique et leur mani\u00e8re de prendre \u00e0 bras le corps l\u2019instrument : j\u2019imagine que la m\u00eame \u00e9nergie, la m\u00eame obstination, la m\u00eame foi sont requises pour tamiser des tonnes de terre avant de voir appara\u00eetre les pr\u00e9cieuses paillettes aurifi\u00e9es. Sauf que pour le duo Iana, l\u2019enjeu de toute cette qu\u00eate ne se mesure pas en grammes d\u2019or mais en parcelles d\u2019inou\u00ef\u2026<\/p>\n<\/blockquote>\n<blockquote>\n<p>Quand, \u00e0 la fin de cette longue et passionnante s\u00e9quence, Betty Hovette et Christine Wodrascka l\u00e8vent les mains de leurs claviers, la r\u00e9sonnance est immense. Elle s\u2019abat sur le public sid\u00e9r\u00e9 comme un orage magn\u00e9tique.<\/p>\n<\/blockquote>\n<blockquote>\n<p>Magnifique concert.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\">Jean-Fran\u00e7ois Mondot, JAZZ MAGAZINE, 19 juillet 2018<\/p>\n<p style=\"text-align: right;\"><a href=\"http:\/\/www.jazzmagazine.com\/jazzlive\/jazz-a-luz-2018-journee-2\/\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-chevron-right fa-2x\"><\/i> Jazz Magazine &#8211; chronique Jazz \u00e0 Luz 2018 &#8211; journ\u00e9e 2<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"item\">\n<div class=\"row\">\n<div class=\"col-md-12 col-sm-12 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"5862\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\"><span class=\"dashicons dashicons-format-quote pt-cv-pficon\"><\/span><\/p>\n<div class=\"pt-cv-content\">\n<blockquote>\n<h4>France Musique<\/h4>\n<p><b>Petite divagation sur la musique du duo Iana, par Anne Montaron<\/b><br \/>\nSi le piano \u00e9tait un oiseau, et son couvercle cette aile noire si joliment \u00e9voqu\u00e9e par le romancier Alberto Savinio, le duo Iana pourrait \u00eatre la rencontre de deux oiseaux envoy\u00e9s par le Dieu Janus, ou par Jana, la d\u00e9esse des passages.   Deux oiseaux, \u00e0 qui les dieux auraient confi\u00e9 leur secret, celui de rendre imperceptibles les passages et de maintenir ouvertes les portes qui voudraient s\u00e9parer deux mondes, d\u2019un c\u00f4t\u00e9 la musique qui s\u2018improvise dans le moment, et de l\u2019autre une musique savamment \u00e9labor\u00e9e.   Iana pourrait \u00eatre ce Bosphore sonore, cet endroit, o\u00f9 deux sensibilit\u00e9s viennent se trouver, s\u2019unir, fusionner,  comme fusionnent dans les eaux du Bosphore la Mer Noire et la Mer de Marmara. Deux pianos qui n\u2019en font plus qu\u2019un !   Et imperceptiblement, apr\u00e8s Janus et le Bosphore, une autre image surgit ; celle de deux femmes dans un village Inuit, faisant r\u00e9sonner, par simple jeu, leurs voix dans la bouche l\u2019une de l\u2019autre, jusqu\u2019\u00e0 ce que ces deux voix ne soient plus qu\u2019une seule.   C\u2019est \u00e0 cette magie-l\u00e0 que Christine Wodrascka et Betty Hovette nous convient derri\u00e8re leurs pianos dispos\u00e9s t\u00eate-b\u00eache.  Entre les deux ailes noires, juste un interstice, un fin d\u00e9troit, sorte de Bosphore, lieu de libre circulation, o\u00f9 la musique s\u2019enrichirait des passages, et n\u2019aurait ni commencement, ni fin !<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\">Anne Montaron, \u00e9mission A l&#8217;Improviste, FRANCE MUSIQUE, mai 2018<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/www.francemusique.fr\/emissions\/a-l-improviste\/le-duo-iana-des-pianistes-christine-wodrascka-et-betty-hovette-enregistre-en-public-a-radio-france-61591\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-chevron-right fa-2x\"><\/i> podcast IANA dans A l&#8217;Improviste sur France Musique<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><a class=\"left carousel-control\" data-target=\"#307695cupg\" data-cvslide=\"prev\"><br \/>\n\t\t\t\t\t\t<span class=\"glyphicon glyphicon-chevron-left\"><\/span><br \/>\n\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t<a class=\"right carousel-control\" data-target=\"#307695cupg\" data-cvslide=\"next\"><br \/>\n\t\t\t\t\t\t<span class=\"glyphicon glyphicon-chevron-right\"><\/span><br \/>\n\t\t\t\t\t<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<style type=\"text\/css\" id=\"pt-cv-inline-style-cef8c44k12\">#pt-cv-view-7c6f252imn.pt-cv-post-border .pt-cv-content-item   { border-top-style: solid; border-left-style: solid; }\n#pt-cv-view-7c6f252imn .pt-cv-title a, #pt-cv-view-7c6f252imn  .panel-title { font-weight: 600 !important; }\n#pt-cv-view-7c6f252imn .pt-cv-specialp * { font-size: 13px !important; line-height: 1.3 !important; color: #fff !important; background-color: #CC3333 !important; }\n#pt-cv-view-7c6f252imn .pt-cv-pficon  { color: #bbb !important; }\n#pt-cv-view-7c6f252imn  .add_to_cart_button, #pt-cv-view-7c6f252imn  .add_to_cart_button *   { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-7c6f252imn  .woocommerce-onsale   { color: #ffffff !important; background-color: #ff5a5f !important; }\n#pt-cv-view-7c6f252imn .pt-cv-readmore  { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-7c6f252imn .pt-cv-readmore:hover  { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-7c6f252imn  + .pt-cv-pagination-wrapper .pt-cv-more , #pt-cv-view-7c6f252imn  + .pt-cv-pagination-wrapper .pagination .active a { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-7c6f252imn .pt-cv-gls-header  { background-color: #00aeef !important; }\n#pt-cv-view-7c6f252imn .pt-cv-tao  { font-size: 20px !important; line-height: 1.3 !important; color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-7c6f252imn { text-align: left; }<\/style>\n<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-6\" class=\"so-panel widget widget_sow-headline\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-f6f7cdd9a3c6-142\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-7\" class=\"so-panel widget widget_sow-editor\" data-index=\"7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>Line-up<\/h3>\n<p><strong>Christine Wodrascka :<\/strong> piano<br \/>\n<strong>Betty Hovette :<\/strong> piano<\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-8\" class=\"so-panel widget widget_sow-headline\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-f6f7cdd9a3c6-142\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-9\" class=\"so-panel widget widget_sow-editor\" data-index=\"9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>Contact<\/h3>\n<p>Claire Dabos \/\/ claire@freddymorezon.org<\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-10\" class=\"so-panel widget widget_sow-headline\" data-index=\"10\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-f6f7cdd9a3c6-142\"\n\t\t\t\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div><\/div><div id=\"panel-142-0-0-11\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>links<\/h3>\n<p><i class=\"fa fa-file-text-o fa-2x\"><\/i> <a alt=\"consulter le dossier de pr\u00e9sentation\" title=\"consulter le dossier de pr\u00e9sentation\" href=\"https:\/\/freddymorezon.org\/packspro\/2018_iana_dossier.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Presentation file (FR)<\/a>\n<\/p>\n<p><i class=\"fa fa-file fa-4x\"><\/i>  <a title=\"revue de presse\" href=\"https:\/\/freddymorezon.org\/packspro\/revues_de_presse\/Revue_de_presse_-_Iana.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Press review (FR & EN)<\/a><\/p>\n<p><i class=\"fa fa-folder fa-4x\"><\/i> <a title=\"pack pro\" href=\"https:\/\/fichiers.freddymorezon.org\/index.php\/s\/G1BEBnqqckPXf6J\" target=\"_blank\" rel=\"noopener noreferrer\">Pack pro<\/a><\/p>\n<ul>\n<li><i class=\"fa fa-chevron-right fa-2x\"><\/i> <a href=\"\nhttps:\/\/mrmorezon.bandcamp.com\/album\/dune-extr-me-lautre\" target=\"_blank\" rel=\"noopener noreferrer\">bandcamp<\/a><\/li>\n<\/ul>\n<ul>\n<li><i class=\"fa fa-chevron-right fa-2x\"><\/i> <a title=\"Christine Wodrascka\" href=\"https:\/\/freddymorezon.org\/artistes\/christine-wodrascka\/\">Christine Wodrascka<\/a><\/li>\n<li><i class=\"fa fa-chevron-right fa-2x\"><\/i> <a href=\"https:\/\/freddymorezon.org\/artistes\/betty-hovette\/\">Betty Hovette<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-142-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-142-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child\" data-index=\"12\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1>Iana<\/h1>\n<h2>D'une Extr\u00eame \u00e0 l'Autre<\/h2>\n<p><span class=\"h2\">(\"From one extreme to another\")<\/span><\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-142-0-1-1\" class=\"so-panel widget widget_sow-image\" data-index=\"13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-142\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/freddymorezon.org\/wp-content\/uploads\/2016\/02\/1-te\u0302tes-cadre-serre\u0301-couleurs-1240x560.jpg\" width=\"1240\" height=\"560\" sizes=\"(max-width: 1240px) 100vw, 1240px\" title=\"Iana te\u0302tes (cadre +serre\u0301- couleurs)\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><div id=\"panel-142-0-1-2\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"14\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p class=\"copyright\" style=\"text-align: left;\">\u00a9 Emmanuel Deckert<\/p>\n<h3 style=\"text-align: left;\">Videos<\/h3>\n<p style=\"text-align: left;\">\n<div class=\"pt-cv-wrapper\">\n<div class=\"pt-cv-view pt-cv-scrollable pt-cv-colsys pt-cv-left pt-cv-sharp-buttons\" id=\"pt-cv-view-64ad0f294f\">\n<div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"2\">\n<div id=\"dfb2751q9k\" class=\"pt-cv-carousel pt-cv-slide\" data-ride=\"cvcarousel\" data-interval=false>\n<div class=\"carousel-inner\">\n<div class=\"item active\">\n<div class=\"row\">\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"7886\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\">\n<div class=\"pt-cv-content\">\n<p><iframe loading=\"lazy\" frameborder=\"0\" width=\"480\" height=\"270\" src=\"https:\/\/www.dailymotion.com\/embed\/video\/x6hqy96\" allowfullscreen allow=\"autoplay\"><\/iframe><br \/>\nConcert enregistr\u00e9 le 9 avril 2018 au studio 106 de la Maison de la radio dans le cadre de l&#8217;\u00e9mission A l&#8217;improviste. A voir et \u00e0 r\u00e9\u00e9couter sur la page de l&#8217;\u00e9mission : <a href=\"https:\/\/www.francemusique.fr\/emissions\/a-l-improviste\/le-duo-iana-des-pianistes-christine-wodrascka-et-betty-hovette-enregistre-en-public-a-radio-france-61591\" target=\"_blank\" title=\"+ d'infos\" alt=\"+ d'infos\" rel=\"noopener noreferrer\"><i class=\"fa fa-plus-square\"><\/i><\/a> <\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"3191\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\">\n<div class=\"pt-cv-content\">\n<p><iframe loading=\"lazy\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/BtcCzaGu-Ck?feature=oembed\" frameborder=\"0\" gesture=\"media\" allowfullscreen><\/iframe><br \/>\nIana &#8211; D&#8217;une extr\u00eame \u00e0 l&#8217;autre &#8211; part. 1\/2<br \/>\nFilm\u00e9 au Th\u00e9\u00e2tre du Pav\u00e9, Toulouse, le 7 janvier 2017<br \/>\nCaptation vid\u00e9o : live in life productions www.liveinlife.fr<br \/>\nPrise de son : Ananda Cherer<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"item\">\n<div class=\"row\">\n<div class=\"col-md-6 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\"  data-pid=\"3193\">\n<div class=\"pt-cv-carousel-caption pt-cv-cap-wo-img\">\n<div class=\"pt-cv-content\">\n<p><iframe loading=\"lazy\" width=\"790\" height=\"444\" src=\"https:\/\/www.youtube.com\/embed\/0NNs6CLhZBE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><br \/>\nIana &#8211; D&#8217;une extr\u00eame \u00e0 l&#8217;autre &#8211; part. 2\/2<br \/>\nFilm\u00e9 au Th\u00e9\u00e2tre du Pav\u00e9, Toulouse, le 7 janvier 2017<br \/>\nCaptation vid\u00e9o : live in life productions www.liveinlife.fr<br \/>\nPrise de son : Ananda Cherer<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><a class=\"left carousel-control\" data-target=\"#dfb2751q9k\" data-cvslide=\"prev\"><br \/>\n\t\t\t\t\t\t<span class=\"glyphicon glyphicon-chevron-left\"><\/span><br \/>\n\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t<a class=\"right carousel-control\" data-target=\"#dfb2751q9k\" data-cvslide=\"next\"><br \/>\n\t\t\t\t\t\t<span class=\"glyphicon glyphicon-chevron-right\"><\/span><br \/>\n\t\t\t\t\t<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<style type=\"text\/css\" id=\"pt-cv-inline-style-b6929cclx1\">#pt-cv-view-64ad0f294f.pt-cv-post-border .pt-cv-content-item   { border-top-style: solid; border-left-style: solid; }\n#pt-cv-view-64ad0f294f .pt-cv-title a, #pt-cv-view-64ad0f294f  .panel-title { font-weight: 600 !important; }\n#pt-cv-view-64ad0f294f .pt-cv-specialp * { font-size: 13px !important; line-height: 1.3 !important; color: #fff !important; background-color: #CC3333 !important; }\n#pt-cv-view-64ad0f294f .pt-cv-pficon  { color: #bbb !important; }\n#pt-cv-view-64ad0f294f  .add_to_cart_button, #pt-cv-view-64ad0f294f  .add_to_cart_button *   { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-64ad0f294f  .woocommerce-onsale   { color: #ffffff !important; background-color: #ff5a5f !important; }\n#pt-cv-view-64ad0f294f .pt-cv-readmore  { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-64ad0f294f .pt-cv-readmore:hover  { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-64ad0f294f  + .pt-cv-pagination-wrapper .pt-cv-more , #pt-cv-view-64ad0f294f  + .pt-cv-pagination-wrapper .pagination .active a { color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-64ad0f294f .pt-cv-gls-header  { background-color: #00aeef !important; }\n#pt-cv-view-64ad0f294f .pt-cv-tao  { font-size: 20px !important; line-height: 1.3 !important; color: #ffffff !important; background-color: #00aeef !important; }\n#pt-cv-view-64ad0f294f { text-align: left; }<\/style>\n<\/p>\n<h3 style=\"text-align: left;\">Iana - D'une extr\u00eame \u00e0 l'autre (cr\u00e9ation 2017)<\/h3>\n<p style=\"text-align: left;\">Iana is an entity of two identities. Two opposed pianos that mix together \u2013 or oppose, and become a single sound and a material in movement. Two women both carrying polychromatic musical stories. Their encounter puts in practice a de-partitioning of genres and musical universes. It is a transidiomatic decompartmentalization research with a desire to shake up the consciousnesses, a research in which nothing is compressed. It is an invitation for beauty of austerity, a dive into the gentle unknown, in reaction to a world where everything is designed, sanitized and under control. Across their obsessional exploration of gesture and sonorous cluster, the two pianists provoke a burst of energy, without drifting or falling into complacency. All this in the hope of arousing the auditor\u2019s most active listening.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Deux femmes, porteuses d\u2019histoires musicales polychromes. Deux pianos, formation dont les potentialit\u00e9s sont loin d\u2019avoir \u00e9t\u00e9 toutes r\u00e9v\u00e9l\u00e9es. Deux parcours aux trac\u00e9s apparemment parall\u00e8les, mais qui convergent vers un m\u00eame horizon, leur domaine de pr\u00e9dilection se rapprochant sans cesse depuis un demi si\u00e8cle \u2013 Christine Wodrascka est une figure fameuse des sc\u00e8nes de l\u2019improvisation libre, attir\u00e9e par la musique contemporaine, pendant que la  fr\u00e9quentation des oeuvres de Ligeti, Cage, Crumb, Harvey, etc. a port\u00e9 tout naturellement Betty Hovette hors des port\u00e9es fixes de la partition \u00e9crite.<\/p>\n","protected":false},"author":1,"featured_media":2057,"parent":134,"menu_order":400,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[766,283,1172],"tags":[14,7],"class_list":["post-142","page","type-page","status-publish","has-post-thumbnail","hentry","category-betty-hovette","category-christine-wodrascka","category-page-catalogue","tag-betty-hovette","tag-christine-wodrascka"],"aioseo_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Iana | Freddy Morezon<\/title>\n<meta name=\"description\" content=\"Iana \/ Duo de piano avec Christine Wodrascka et Betty Hovette. Deux femmes aux parcours aux trac\u00e9s apparemment parall\u00e8les, mais qui convergent vers un m\u00eame horizon. Christine Wodrascka, figure fameuse des sc\u00e8nes de l\u2019improvisation libre, est attir\u00e9e par la musique contemporaine, pendant que la fr\u00e9quentation des oeuvres de Ligeti, Cage, Crumb, Harvey, etc. a port\u00e9 tout naturellement Betty Hovette hors des port\u00e9es fixes de la partition \u00e9crite. Leur duo met en acte un d\u00e9cloisonnement des genres et des univers musicaux et cherche \u00e0 bousculer les consciences.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/freddymorezon.org\/catalogue\/iana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Iana | Freddy Morezon\" \/>\n<meta property=\"og:description\" content=\"Iana \/ Duo de piano avec Christine Wodrascka et Betty Hovette. Deux femmes aux parcours aux trac\u00e9s apparemment parall\u00e8les, mais qui convergent vers un m\u00eame horizon. Christine Wodrascka, figure fameuse des sc\u00e8nes de l\u2019improvisation libre, est attir\u00e9e par la musique contemporaine, pendant que la fr\u00e9quentation des oeuvres de Ligeti, Cage, Crumb, Harvey, etc. a port\u00e9 tout naturellement Betty Hovette hors des port\u00e9es fixes de la partition \u00e9crite. 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