{"id":9044,"date":"2020-04-01T11:00:53","date_gmt":"2020-04-01T10:00:53","guid":{"rendered":"https:\/\/freddymorezon.org\/?p=9044"},"modified":"2020-04-01T11:06:28","modified_gmt":"2020-04-01T10:06:28","slug":"deep-ford-jazz-magazine","status":"publish","type":"post","link":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/","title":{"rendered":"Deep Ford &#8211; Jazz Magazine"},"content":{"rendered":"<h4 style=\"text-align: right;\">Jazz Magazine<\/h4>\n<p><strong>Choc Jazz Magazine<\/strong><\/p>\n<blockquote><p>L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle.<br \/>\n[\u2026] Magie ou subterfuge de l\u2019enregistrement, [l&#8217;auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e.<\/p><\/blockquote>\n<p style=\"text-align: right;\">Vincent Cotro, Jazz Magazine, mars 2020<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/bmcrecords.hu\/pages\/tartalom\/showreview.php?file=272_jazzmagazine_2020_march_choc_web.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"fa fa-chevron-right fa-2x\"><\/i> lire la chronique<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l&#8217;auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz&hellip;<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/\" title=\"Continue reading &lsquo;Deep Ford &#8211; Jazz Magazine&rsquo;\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[90,104],"tags":[],"class_list":["post-9044","post","type-post","status-publish","format-quote","hentry","category-revue-de-presse","category-trio-fincker-delbecq-darrifourcq","post_format-post-format-quote"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.5 - aioseo.com -->\n\t<meta name=\"description\" content=\"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l&#039;auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Freddy\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/\" \/>\n\t\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.5\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Freddy Morezon - jazz - musique improvis\u00e9e - musiques cr\u00e9atives\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Deep Ford \u2013 Jazz Magazine - Freddy Morezon\" \/>\n\t\t<meta property=\"og:description\" content=\"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l&#039;auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2020-04-01T10:00:53+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2020-04-01T10:06:28+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Deep Ford \u2013 Jazz Magazine - Freddy Morezon\" \/>\n\t\t<meta name=\"twitter:description\" content=\"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l&#039;auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"BlogPosting\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#blogposting\",\"name\":\"Deep Ford \\u2013 Jazz Magazine - Freddy Morezon\",\"headline\":\"Deep Ford &#8211; Jazz Magazine\",\"author\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/author\\\/freddy\\\/#author\"},\"publisher\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#organization\"},\"datePublished\":\"2020-04-01T11:00:53+02:00\",\"dateModified\":\"2020-04-01T11:06:28+02:00\",\"inLanguage\":\"en-US\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#webpage\"},\"isPartOf\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#webpage\"},\"articleSection\":\"Revue de presse, Trio Fincker Delbecq Darrifourcq, Quote\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#breadcrumblist\",\"itemListElement\":[{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#listItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/category\\\/revue-de-presse\\\/#listItem\",\"name\":\"Revue de presse\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/category\\\/revue-de-presse\\\/#listItem\",\"position\":2,\"name\":\"Revue de presse\",\"item\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/category\\\/revue-de-presse\\\/\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#listItem\",\"name\":\"Deep Ford &#8211; Jazz Magazine\"},\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#listItem\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#listItem\",\"position\":3,\"name\":\"Deep Ford &#8211; Jazz Magazine\",\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/category\\\/revue-de-presse\\\/#listItem\",\"name\":\"Revue de presse\"}}]},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#organization\",\"name\":\"Freddy Morezon\",\"description\":\"jazz - musique improvis\\u00e9e - musiques cr\\u00e9atives\",\"url\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/author\\\/freddy\\\/#author\",\"url\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/author\\\/freddy\\\/\",\"name\":\"Freddy\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#authorImage\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3edb0008226bf28bd0535a383351d393876682ef5bf450e1b89d76c72054e7e7?s=96&d=mm&r=g\",\"width\":96,\"height\":96,\"caption\":\"Freddy\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#webpage\",\"url\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/\",\"name\":\"Deep Ford \\u2013 Jazz Magazine - Freddy Morezon\",\"description\":\"Jazz Magazine Choc Jazz Magazine L\\u2019\\u00e9ventail des ressources expressives et sonores en pr\\u00e9sence, et l\\u2019\\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\\u2019auditeur au centre d\\u2019une fascinante exp\\u00e9rience sensorielle. [\\u2026] Magie ou subterfuge de l\\u2019enregistrement, [l'auditeur] ne r\\u00e9sistera pas \\u00e0 renouveler la travers\\u00e9e. Vincent Cotro, Jazz\",\"inLanguage\":\"en-US\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#breadcrumblist\"},\"author\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/author\\\/freddy\\\/#author\"},\"creator\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/author\\\/freddy\\\/#author\"},\"datePublished\":\"2020-04-01T11:00:53+02:00\",\"dateModified\":\"2020-04-01T11:06:28+02:00\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/\",\"name\":\"Freddy Morezon\",\"description\":\"jazz - musique improvis\\u00e9e - musiques cr\\u00e9atives\",\"inLanguage\":\"en-US\",\"publisher\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#organization\"}}]}\n\t\t<\/script>\n\t\t<!-- All in One SEO -->\n\n","aioseo_head_json":{"title":"Deep Ford \u2013 Jazz Magazine - Freddy Morezon","description":"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l'auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz","canonical_url":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/","robots":"max-image-preview:large","keywords":"","webmasterTools":{"miscellaneous":""},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"BlogPosting","@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#blogposting","name":"Deep Ford \u2013 Jazz Magazine - Freddy Morezon","headline":"Deep Ford &#8211; Jazz Magazine","author":{"@id":"https:\/\/freddymorezon.org\/en\/author\/freddy\/#author"},"publisher":{"@id":"https:\/\/freddymorezon.org\/en\/#organization"},"datePublished":"2020-04-01T11:00:53+02:00","dateModified":"2020-04-01T11:06:28+02:00","inLanguage":"en-US","mainEntityOfPage":{"@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#webpage"},"isPartOf":{"@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#webpage"},"articleSection":"Revue de presse, Trio Fincker Delbecq Darrifourcq, Quote"},{"@type":"BreadcrumbList","@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#breadcrumblist","itemListElement":[{"@type":"ListItem","@id":"https:\/\/freddymorezon.org\/en\/#listItem","position":1,"name":"Home","item":"https:\/\/freddymorezon.org\/en\/","nextItem":{"@type":"ListItem","@id":"https:\/\/freddymorezon.org\/en\/category\/revue-de-presse\/#listItem","name":"Revue de presse"}},{"@type":"ListItem","@id":"https:\/\/freddymorezon.org\/en\/category\/revue-de-presse\/#listItem","position":2,"name":"Revue de presse","item":"https:\/\/freddymorezon.org\/en\/category\/revue-de-presse\/","nextItem":{"@type":"ListItem","@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#listItem","name":"Deep Ford &#8211; Jazz Magazine"},"previousItem":{"@type":"ListItem","@id":"https:\/\/freddymorezon.org\/en\/#listItem","name":"Home"}},{"@type":"ListItem","@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#listItem","position":3,"name":"Deep Ford &#8211; Jazz Magazine","previousItem":{"@type":"ListItem","@id":"https:\/\/freddymorezon.org\/en\/category\/revue-de-presse\/#listItem","name":"Revue de presse"}}]},{"@type":"Organization","@id":"https:\/\/freddymorezon.org\/en\/#organization","name":"Freddy Morezon","description":"jazz - musique improvis\u00e9e - musiques cr\u00e9atives","url":"https:\/\/freddymorezon.org\/en\/"},{"@type":"Person","@id":"https:\/\/freddymorezon.org\/en\/author\/freddy\/#author","url":"https:\/\/freddymorezon.org\/en\/author\/freddy\/","name":"Freddy","image":{"@type":"ImageObject","@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#authorImage","url":"https:\/\/secure.gravatar.com\/avatar\/3edb0008226bf28bd0535a383351d393876682ef5bf450e1b89d76c72054e7e7?s=96&d=mm&r=g","width":96,"height":96,"caption":"Freddy"}},{"@type":"WebPage","@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#webpage","url":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/","name":"Deep Ford \u2013 Jazz Magazine - Freddy Morezon","description":"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l'auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz","inLanguage":"en-US","isPartOf":{"@id":"https:\/\/freddymorezon.org\/en\/#website"},"breadcrumb":{"@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#breadcrumblist"},"author":{"@id":"https:\/\/freddymorezon.org\/en\/author\/freddy\/#author"},"creator":{"@id":"https:\/\/freddymorezon.org\/en\/author\/freddy\/#author"},"datePublished":"2020-04-01T11:00:53+02:00","dateModified":"2020-04-01T11:06:28+02:00"},{"@type":"WebSite","@id":"https:\/\/freddymorezon.org\/en\/#website","url":"https:\/\/freddymorezon.org\/en\/","name":"Freddy Morezon","description":"jazz - musique improvis\u00e9e - musiques cr\u00e9atives","inLanguage":"en-US","publisher":{"@id":"https:\/\/freddymorezon.org\/en\/#organization"}}]},"og:locale":"en_US","og:site_name":"Freddy Morezon - jazz - musique improvis\u00e9e - musiques cr\u00e9atives","og:type":"article","og:title":"Deep Ford \u2013 Jazz Magazine - Freddy Morezon","og:description":"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l'auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz","og:url":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/","article:published_time":"2020-04-01T10:00:53+00:00","article:modified_time":"2020-04-01T10:06:28+00:00","twitter:card":"summary_large_image","twitter:title":"Deep Ford \u2013 Jazz Magazine - Freddy Morezon","twitter:description":"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l'auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz"},"aioseo_meta_data":{"post_id":"9044","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2025-01-24 17:28:07","updated":"2025-06-10 11:02:02","focus_keyword":null,"additional_keywords":null,"truseo_locale":null,"seo_analyzer_scan_date":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/freddymorezon.org\/en\/\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/freddymorezon.org\/en\/category\/revue-de-presse\/\" title=\"Revue de presse\">Revue de presse<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tDeep Ford \u2013 Jazz Magazine\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/freddymorezon.org\/en\/"},{"label":"Revue de presse","link":"https:\/\/freddymorezon.org\/en\/category\/revue-de-presse\/"},{"label":"Deep Ford &#8211; Jazz Magazine","link":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/"}],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Deep Ford - Jazz Magazine | Freddy Morezon<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deep Ford - Jazz Magazine | Freddy Morezon\" \/>\n<meta property=\"og:description\" content=\"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l&#8217;auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz&hellip;Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/\" \/>\n<meta property=\"og:site_name\" content=\"Freddy Morezon\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/freddy.morezon\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-04-01T10:00:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-04-01T10:06:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/freddymorezon.org\/wp-content\/uploads\/2016\/02\/mini-logo-header-site2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"234\" \/>\n\t<meta property=\"og:image:height\" content=\"174\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Freddy\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/\"},\"author\":{\"name\":\"Freddy\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/#\\\/schema\\\/person\\\/1a8436c8147db52efff6caac3517ecaa\"},\"headline\":\"Deep Ford &#8211; Jazz Magazine\",\"datePublished\":\"2020-04-01T10:00:53+00:00\",\"dateModified\":\"2020-04-01T10:06:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/\"},\"wordCount\":73,\"publisher\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/#organization\"},\"articleSection\":[\"Revue de presse\",\"Trio Fincker Delbecq Darrifourcq\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/\",\"url\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/\",\"name\":\"Deep Ford - Jazz Magazine | Freddy Morezon\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#website\"},\"datePublished\":\"2020-04-01T10:00:53+00:00\",\"dateModified\":\"2020-04-01T10:06:28+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[[\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/\"]]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/2020\\\/04\\\/01\\\/deep-ford-jazz-magazine\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Deep Ford &#8211; Jazz Magazine\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/\",\"name\":\"Freddy Morezon\",\"description\":\"jazz - musique improvis\u00e9e - musiques cr\u00e9atives\",\"publisher\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#organization\",\"name\":\"Association Freddy Morezon\",\"url\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/freddymorezon.org\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/mini-logo-header-site2.jpg\",\"contentUrl\":\"https:\\\/\\\/freddymorezon.org\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/mini-logo-header-site2.jpg\",\"width\":234,\"height\":174,\"caption\":\"Association Freddy Morezon\"},\"image\":{\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/freddy.morezon\\\/\",\"https:\\\/\\\/www.instagram.com\\\/freddymorezon\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/freddymorezon\",\"https:\\\/\\\/fr.linkedin.com\\\/company\\\/freddy-morezon-p.r.o.d.\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/freddymorezon.org\\\/#\\\/schema\\\/person\\\/1a8436c8147db52efff6caac3517ecaa\",\"name\":\"Freddy\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3edb0008226bf28bd0535a383351d393876682ef5bf450e1b89d76c72054e7e7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3edb0008226bf28bd0535a383351d393876682ef5bf450e1b89d76c72054e7e7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3edb0008226bf28bd0535a383351d393876682ef5bf450e1b89d76c72054e7e7?s=96&d=mm&r=g\",\"caption\":\"Freddy\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Deep Ford - Jazz Magazine | Freddy Morezon","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/","og_locale":"en_US","og_type":"article","og_title":"Deep Ford - Jazz Magazine | Freddy Morezon","og_description":"Jazz Magazine Choc Jazz Magazine L\u2019\u00e9ventail des ressources expressives et sonores en pr\u00e9sence, et l\u2019\u00e9coute fine qui ruisselle entre les musiciens sont servis par une prise de son parfaite qui place l\u2019auditeur au centre d\u2019une fascinante exp\u00e9rience sensorielle. [\u2026] Magie ou subterfuge de l\u2019enregistrement, [l&#8217;auditeur] ne r\u00e9sistera pas \u00e0 renouveler la travers\u00e9e. Vincent Cotro, Jazz&hellip;Continue reading &rarr;","og_url":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/","og_site_name":"Freddy Morezon","article_publisher":"https:\/\/www.facebook.com\/freddy.morezon\/","article_published_time":"2020-04-01T10:00:53+00:00","article_modified_time":"2020-04-01T10:06:28+00:00","og_image":[{"width":234,"height":174,"url":"https:\/\/freddymorezon.org\/wp-content\/uploads\/2016\/02\/mini-logo-header-site2.jpg","type":"image\/jpeg"}],"author":"Freddy","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/freddymorezon.org\/2020\/04\/01\/deep-ford-jazz-magazine\/#article","isPartOf":{"@id":"https:\/\/freddymorezon.org\/2020\/04\/01\/deep-ford-jazz-magazine\/"},"author":{"name":"Freddy","@id":"https:\/\/freddymorezon.org\/#\/schema\/person\/1a8436c8147db52efff6caac3517ecaa"},"headline":"Deep Ford &#8211; Jazz Magazine","datePublished":"2020-04-01T10:00:53+00:00","dateModified":"2020-04-01T10:06:28+00:00","mainEntityOfPage":{"@id":"https:\/\/freddymorezon.org\/2020\/04\/01\/deep-ford-jazz-magazine\/"},"wordCount":73,"publisher":{"@id":"https:\/\/freddymorezon.org\/#organization"},"articleSection":["Revue de presse","Trio Fincker Delbecq Darrifourcq"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/","url":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/","name":"Deep Ford - Jazz Magazine | Freddy Morezon","isPartOf":{"@id":"https:\/\/freddymorezon.org\/en\/#website"},"datePublished":"2020-04-01T10:00:53+00:00","dateModified":"2020-04-01T10:06:28+00:00","breadcrumb":{"@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":[["https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/"]]}]},{"@type":"BreadcrumbList","@id":"https:\/\/freddymorezon.org\/en\/2020\/04\/01\/deep-ford-jazz-magazine\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/freddymorezon.org\/en\/"},{"@type":"ListItem","position":2,"name":"Deep Ford &#8211; Jazz Magazine"}]},{"@type":"WebSite","@id":"https:\/\/freddymorezon.org\/en\/#website","url":"https:\/\/freddymorezon.org\/en\/","name":"Freddy Morezon","description":"jazz - musique improvis\u00e9e - musiques cr\u00e9atives","publisher":{"@id":"https:\/\/freddymorezon.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/freddymorezon.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/freddymorezon.org\/en\/#organization","name":"Association Freddy Morezon","url":"https:\/\/freddymorezon.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/freddymorezon.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/freddymorezon.org\/wp-content\/uploads\/2016\/02\/mini-logo-header-site2.jpg","contentUrl":"https:\/\/freddymorezon.org\/wp-content\/uploads\/2016\/02\/mini-logo-header-site2.jpg","width":234,"height":174,"caption":"Association Freddy Morezon"},"image":{"@id":"https:\/\/freddymorezon.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/freddy.morezon\/","https:\/\/www.instagram.com\/freddymorezon\/","https:\/\/www.youtube.com\/user\/freddymorezon","https:\/\/fr.linkedin.com\/company\/freddy-morezon-p.r.o.d."]},{"@type":"Person","@id":"https:\/\/freddymorezon.org\/#\/schema\/person\/1a8436c8147db52efff6caac3517ecaa","name":"Freddy","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/3edb0008226bf28bd0535a383351d393876682ef5bf450e1b89d76c72054e7e7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/3edb0008226bf28bd0535a383351d393876682ef5bf450e1b89d76c72054e7e7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3edb0008226bf28bd0535a383351d393876682ef5bf450e1b89d76c72054e7e7?s=96&d=mm&r=g","caption":"Freddy"}}]}},"_links":{"self":[{"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/posts\/9044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/comments?post=9044"}],"version-history":[{"count":3,"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/posts\/9044\/revisions"}],"predecessor-version":[{"id":9048,"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/posts\/9044\/revisions\/9048"}],"wp:attachment":[{"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/media?parent=9044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/categories?post=9044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/freddymorezon.org\/en\/wp-json\/wp\/v2\/tags?post=9044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}